Before reading this, I suggest you read the introduction to this site where I say what I'm doing.
The best, the most noteworthy, and the most impactful television shows on television have been determined not by myself, but a respected TV critic named Alan Sepinwall. They have been whittled to twelve TV shows from Buffy the Vampire Slayer to Breaking Bad.
I'm not going to comment on what exactly Sepinwall means when he says they changed TV shows, but I'm going to attempt to explain. These are shows that did what no one else in television had done yet and they began doing things that other television shows wanted to. Also, it was just spectacularly well-done with good writing and good acting.
What I've Seen
The first show that changed television that I've personally seen is Buffy the Vampire Slayer. The name does not do the show justice. The show has one of the biggest cult followings out there. Joss Whedon has said multiple times that he'd rather do a show that 100 people love to watch than 1,000 that just like the show. (I probably messed that up, but its captures the meaning of whatever he actually said)
Anyway, this show will easily get its own post, probably a few of them. I'm restraining myself from going into greater detail, because this post would go on forever if I did. Anyway, Buffy first aired in March of 1997 as a mid-season replacement on a network that was only a few years old (WB). It somehow ended up lasting seven seasons and a network change (It switched to UPN after five seasons at the WB).
This is a show that rewards its fan. It knows what its doing. It foreshadows many events well before they happen, which makes watching it through a second time almost necessary. This is a show that references things that happened in Season 1 in its last season. If you look closely at the dialogue, you'll find a lot of meta-commentary on itself. I cannot go into anymore detail because I'm choosing to stay in the no spoilers range for now.
So, if you have the time or a new series that you want to watch, ignore the name of the show and watch it. If you have patience, watch Season 1 first (which I may add is only 12 episodes...) and then get rewarded with the next six seasons. If you want to get straight into the good stuff, start with School Hard on Season 2, Episode 3, which is the beginning of a two-season run of excellence. (You might get a bit confused at parts however).
Then there's The Wire. It's pretty impossible for me to talk about this show, because I probably come up sounding like a babbling idiot. I think David Simon hates his audience. His first season introduces many new characters that it takes a few episodes to stop figuring out who is who and what they do. Then when we finally settle in, the second season decides to abandon the drug trade and targets the working class through stevedores working on the Baltimore port.
Season 4 introduces kids and does a pretty incredible job of explaining how the system failed them. It's heartbreaking. It's great television. The Wire is not a show to watch for happiness. Basically, the message of the show is about the declining cities in America, the system will fail you, and institutions prevent change (negatively) - among other depressing messages that are pretty much true. Also, the masterpiece that is Season 4 barely includes the main lead of the show, Jimmy McNulty, which is strange for any television show.
I'm going to save anything else I say about The Wire for another post.
Next up is Lost. Here's a divisive show. Lost first aired in September of 2004 and ended its six-season run in May of 2010. I largely loved the show, though its one of those shows you should not watch unless you have a month of free time, because nearly every episode ends on some kind of a cliffhanger. Unfortunately, the show tends to mislead its audience and never returns to information that was seemingly vital at the time. Call it the anti-Buffy.
There is no question why Lost is on this list. It did a few things that had never been done before. In conjunction with its regular story, the show did flashbacks on every single episode to add backstory to the characters. Season 4 and Season 6 also featured something similar which I will not reveal since part of the fun of the early episodes of those seasons were figuring out what was going on. Warning: This show DID piss a lot of fans off, so keep that in mind.
Next show is Friday Night Lights, which somehow lasted five seasons when almost nobody watched it at the time it was aired. It's a show about people in a football-driven town. It's not a show about football. Important distinction. It's a show based on a movie that was based on a book written by Buzz Bisinger. There are talks about a possible movie which would make that movie based on a TV series based on another movie which was based on a book.
Unlike Buffy, FNL was a great show from the start. Watch the pilot and if you don't like it, your opinion sucks. But seriously if you somehow watch the pilot and come away disappointed, I can't really suggest you watch the rest of the series. Most shows need to figure out what they are about and what the audience likes, but this show hit the ground running immediately.
Also, this tip is easy to do since most TV series set in high school do the same thing, but ignore the 30-year-olds who are somehow in high school (I'm exaggerating, but the age thing is still ridiculous). The only one who looks remotely like a teenager is.... a teenager who plays the coach's daughter.
Shows I'm still watching
Since I'm doing a chronological thing apparently, I'll start with The Sopranos. This is the show that basically every other show since can thank for what it did. I'm only in Season 2, so I can't really explain its impact or what it does very well.
I know it largely started the star of the show being an anti-hero. He's a bad guy, but we love him. For example, Don Draper on Mad Men, Walter White on Breaking Bad, Stringer Bell and Omar Little on The Wire - among others. These are men that we somehow root for even if we know they are terrible terrible people.
It shows how unglamorous and how mundane mob activity is in everyday life. Sure, there is a lot of killing and these men will do terrible things for money, but the show basically shows how much like a real job it is. I can't think of a single Sopranos family member except the son (who still has five more seasons to do something) who is NOT manipulative and clever at getting people to do what they want.
The show is character-driven and you rarely see characters act out-of-character. Lastly, the show is showing the mob as past their prime and on the decline and the end is in sight. Also, I think it's a commentary on America, but I'm not far enough to comment further. The show began it's run in January of 1999 and ended its run in June of 2007. Date-wise, I'm in March of 2000, so I have hardly scratched the surface.
Next is Mad Men, which began airing in July of 2007. This show is a period piece heavy with a character-driven emphasis . It's honestly kind of slow, but the fact that it feels like the show is set in 1960, is well-acted, and well done all around makes it a great show. If this makes sense, the show is like real life so the plot is... almost not there. However, most people won't watch shows for its plot, they watch it for the characters.
Mad Men undoubtedly did something few television shows attempt and I'm pretty sure none have done it better. The attention to detail on the sets and the clothes and the attitudes all seem accurate. (I obviously can't say that it is having not been born until a while later)
It captures the smoking culture, the largely intolerant culture (of gays and sexist attitudes), the acceptance of casual drinking, and at times fits in how characters reacted to famous events back then. All that keeps the viewer interested for the first few episodes, but the character work keeps them watching the show. After all, you can't sustain a gimmick for multiple seasons if there's nothing on the surface.
Lastly, there's Breaking Bad. This is - last season pending - my second favorite TV show behind The Wire. There's pretty much nothing it can do to surpass The Wire, but I don't think any TV show has come anywhere close to The Wire either. Breaking Bad is definitely #2 on my list and barring a disaster of an ending, will probably be way ahead of #3. The show has portrayed a normal guy, who by all accounts is a model citizen, and slowly morphed him into a genuinely evil man who has killed many people for his own gain. I saw Walter White as inspirational at the beginning of the series and now I'm not rooting for him at all. Well done.
Shows I will watch
With the exception of 24 and The Shield, I have little idea of what to expect from these shows. I just know that they're good. For instance, I have absolutely no idea what Deadwood is about. I'm pretty sure it's a Western and I'm pretty sure the series ends rather abruptly (not hard to believe given it lasts just three seasons).
I know the series Oz is about prison life, but not much else. I also know Juno's dad and Mayhem play characters in the series so there's that. Also, apparently Oz was The Sopranos without the viewership. It paved the way for The Sopranos with its storytelling, it just didn't get the viewers to be as widely recognized. It was critically acclaimed, it just wasn't received greatly by the audience. The Sopranos was. (So I understand the importance of this to television, as opposed to Deadwood, where I have no clue at all as to its importance)
Battlestar Galactica is the same way. I know its a scifi show and I know it's... well that's actually it. I have the benefit of having little idea of what this show was about as before I started getting into TV and that has allowed me to avoid any information at all. I might as well watch this as if it was 2004, because i have the same knowledge of the show as the original viewers did.
As for the shows I have an idea about, I know 24 is set within one day. I've heard that the first season is good television, and then it gets a bit ridiculous the more seasons that come (Source: Tim Goodman). This is the show I am most worried about watching. It has so many seasons and it's apparently so addicting, that by the time I'm watching what is probably bad TV, I'll already be hooked and keep watching. So I'm pretty sure I need to stop watching at some point when I get into this show and not watch the entire series.
I know The Shield is about a cop who is willing to kill and break the law to get justice. That's about it. This is a show though that I knew was around, but never watched. (As opposed to Deadwood, which I didn't know existed when it aired).
Final Thoughts
Here's something odd that I can't explain: I plan on re-watching each series so far that I've seen, but I have literally zero inclination right now to re-watch Friday Night Lights. I have an irresistible desire to re-watch The Wire at least once a year for the rest of my life and to re-watch Buffy probably more than two times (already started the first re-watch). I want to re-watch The Sopranos and Mad Men, not because of an irresistible desire, but because I think I'd appreciate the show a lot more if I did.
Lost has a very small inkling of being re-watched. I want to watch Lost in chronological order as some super fan has arranged the show to be watched in that order. I have hardly any desire to re-watch the show as it aired though. I'm not really sure what the point of telling you this was, but I guess that even though I have a bunch of TV shows, these transcendent TV shows have forced me to make time so I could watch something I have already seen. I think it's pretty remarkable to make a viewer want to watch a show where they know what's coming. It's relatively easy to make a viewer curious to watch a show the first time, but to make a viewer watch multiple times is very impressive. (I can't explain it, but Friends is never old for me and probably never will be. I'm guessing nostalgia)
Next post: Quirky comedy section gets highlighted with NINE shows that I am still in the middle of watching.