Top 50 Shows of the 2010s

With 2020 approaching, many websites primarily writing about movie and television are doing their end of the decade list, so I thought - why not join in?  I've certainly seen enough to make such a list.  While I glanced at a few - mostly to make sure I wasn't forgetting any shows - I have tried to make this list with as little outside information as possible.  And there are a few shows listed in most lists that I simply haven't seen or haven't seen enough of to include unfortunately - Halt and Catch Fire, Treme, Persons of Interest, The Good Wife, Legend of Korra, Fringe - those are at least the big ones.  There is a good chance that - when I would get to those shows - at least one or more would be a part of this list.  But there's always going to be blind spots for a list with one person.

I'm going to follow Alan Sepinwall's model on this one on what shows to include.  For shows that premiered before 2010, it must have over half of its episodes air in this decade and that it must not have aired over two seasons.  The big omission by this rule is Mad Men, which aired 3 seasons in the 2000s, and It's Always Sunny, which has actually had 97 of its 148 episodes this decade.  Which is a blessing frankly.  I have no idea how to judge Mad Men as a show if I'm forced to remove the first three seasons, which when included with the fourth, I think are its best.  It's certainly on this list, but where is a mystery, especially since I haven't watched the show since the finale.

That's another thing - I am not a heavy rewatcher of shows.  Its why I'm able to watch so many shows, because I watch it once and then move on to another show.  So some of this list will include shows that I haven't seen in over five years, and thus, I'm mostly trusting my memory of how I felt about the show.  Again I have one very specific example in mind that I will rewatch at some point, because I don't remember the show all that well, just that I loved it.  This is going to be a long list, so I'll just get on with it.

#50 - Drunk History

Drunk History has suffered in my annual top ten lists, just because it's basically the same thing season after season.  But for a list like this, that doesn't matter.  It's a simple concept - drunk people trying to tell history accurately - and done well.  As a person who has entertained the idea of becoming a history teacher and as a drunk person, this show is right up my alley.

#49 - Arrow

The first Arrowverse show is also its best.  Legends of Tomorrow was strongly considered and frankly I have preferred that show to Arrow for most of its run, but no Arrowverse show has matched the heights of Arrow - back half of season 1, all of season 2, season 5, and this latest season.  It would not have made the list if not for its last season and I'm worried I'm letting recency bias affect this too much, but I think it deserves a spot.

#48 Key & Peele

I watched my first episode after it went off the air - although obviously I had seem some of the individual sketches - and was at first underwhelmed.  The thing about sketch comedies shows - even highly acclaimed ones - is that not every sketch is a hit.  But this has enough classic sketches that can go face to face with any classic sketch comedy show and the pure consistency of this show to produce at least mildly funny laughs is nearly unparalleled in sketch comedy shows.

#47 New Girl

I'm not much of a binger - I try not to watch two episodes of the same show in one day believe it or not - but I was put off by the ads for this show and didn't watch it immediately, but I watched the first two seasons on Netflix in like 2 weeks.  And I was a fan for good.  This just has a very good comedic cast that could make even mediocre writing funny.  And I'm not suggesting this had mediocre writing (although later in its run, they kind of did, but that's most comedies that air as long as this one did)

#46 Marvel's Agents of Shield

Two superhero (or superhero-adjacent) shows already?  I believe this is the last one.  Whether you consider that a good thing or bad thing, well I'm just letting you know this really isn't indicative of most of my list.  Partially due to trying to time the show with a Marvel movie, this show started really slow, so much so that I stopped watching.  But I picked it back up and it got better and better.  It still has one more season to go, but the show doesn't pick up steam until the last batch of episodes in season 1. (If you're considering starting this, just start at Bill Paxton's first episode.  You may or may not be a little lost, but the first fifteen episodes are extremely skippable)

#45 Silicon Valley

Pending on how I end up finishing my 2019 top ten list - which I haven't started - this show never made my top 10 comedies of the year and yet I have it here.  Part of that is that I didn't have a list in 2014 honestly (I think it would have made it), but it was pretty consistently in the 11th-15th range if I extended my list past ten shows.  I probably gave it an honorable mention every year for instance.  Anyway good show with a very good cast.

#44 Black Mirror

I hesitate to put this on my list because it doesn't have that many episodes and it doesn't really have that many truly great episodes either.  It's not like it has a 100% success rate with its episodes, especially the Netflix seasons.  But I don't know it would feel weird to not include this show (which also never made my list and I'm not even sure its best seasons that were before I started this would either cause they were three episodes).  And even if the episode is not quite as good as I'd like, it at least is vastly different than anything else on television.

#43 The Leftovers

Holy shit Gabe this is low, right?  I liked the show more with each successive season, but there are three seasons and I liked two episodes - TWO - of the first season.  And the Guilty Remnant was a huge drag on the show in my opinion.  So yeah it's not going to rank all that highly for me - especially in comparison to other critics - and I'm definitely going to one day give it another shot, but hey I still have it at 43, so clearly I like it a lot.

#42 Catastrophe

One of the truly annoying things about making a list like this is just how different certain shows are in length.  This has four seasons with six episodes a season.  That's as much as one season of a network comedy.  How the hell do I judge these shows in comparison to one another?  Well, fair or not, what I usually do, is I give credit to the longer show if it uses the extra episodes to still make good episodes.  Which is mostly why Catastrophe is this low.  Because there just aren't that many episodes.  (I do have shows with less episodes higher, so it's not the only reason admittedly)

#41 Terriers

Ladies and gentleman, this is the show I was referring to above.  I probably haven't seen this show in 8 years - it was on Netflix whenever I watched it, but it wasn't long after it aired.  And I did love the show.  But I remember very little about why I loved it.  So admittedly, this could be higher - or lower - and I wouldn't argue with you, but I feel like 41 is a pretty good hedge bet especially since this only had 13 episodes.  I will one day rewatch this show.

#40 Master of None

The second season was unfortunately very hit or miss, which is why it isn't higher, even though the hits were among the best episodes on television.  The first season was much more consistent, but again I'm just not working with very many episodes, so I can't place it much higher than this.

#39 Succession

The timing here is fantastic for Succession to make my list.  The most recent episode I watched - and I haven't watched all of the second season yet - was my favorite of the series.  I know people wanted this to be labeled a comedy, but it wasn't until my most recent episode that it completely clicked as a comedy for me.  And I realize that's a little insane if you watch the show, but it wasn't really laugh out loud funny for me.

#38 Russian Doll

If End of the Fucking World is any indication, it's a blessing that the second season hasn't aired yet.  End of the Fucking World, clearly a one season show if there ever was one, would have made this list if they didn't have season two.  But they did.  Russian Doll is also clearly a one season show that will be making a season two - and I'm part of the problem since I'm going to watch it - but boy did I like the first season.  I hate to sound like a broken record here, but it's only eight episodes and that's why it's not higher.

#37 Bob's Burgers

Bob's Burgers does not have the lack of episodes problems - it has 181 episodes made in this decade.  And I think maybe 10 of them are weak episodes.  It probably doesn't reach the heights of most of the shows on this list, but it is startlingly consistent.  Nearly every episode is at least good and definitely entertaining.

#36 Game of Thrones

Everyone talks about how bad the final season was, but it barely came as a shock to me because it wasn't all that good the season before.  Nonetheless, it still has what I'd call the "book years."  I'm not going to overreact to the last season and not include it on this list, but I'm also not going to pretend that I included this show on my top 10 every year before its last season.  (Granted, no top ten lists before 2015, which is removing its first four seasons).  This should probably be higher, but it's also a show that was pretty heavily reliant on nailing its ending and boy did it not do that.

#35 Louie

Oh boy did I not want to include this show!  And apparently a lot of sites felt the same way.  Including this show is a minefield I'm not interesting in stepping in, but I'm also interested in, you know, presenting an accurate list so I kind of had to include this.  It would feel dishonest not to, which is why I'm not going to pretend this wasn't one of the most highly acclaimed shows of its time (including by me).  Now that I've properly pissed off half the people reading this, I'll piss off the other half: it's fine if Louis CK goes away from pop culture and is never heard from again.  (He has admittedly made this incredibly easy if his recent standup is any indication of where he plans to go from here)

#34 Mr. Robot

I hate that I'm writing this list before the conclusion of this show.  This is at 36 with the assumption that it's going to nail its ending, because it has sure nailed the final season.  This is a show that lost me with its second season and with a third that I thought was fine, but nothing special.  But I was a Mr. Robot fanboy for its first and the show grabbed me back with a gripping final season.  If Sam Esmail fucks up the ending, it's lower than this and maybe not even in the top 50.

#33 Documentary Now!

What a difficult line the writers (and directors) have to straddle to make this entertaining television.  They have to craft 21 minute effective parodies of well-known documentaries and put enough of a twist on them to still make it entertaining on its own.  And they manage it every time.  And like Drunk History, bonus points for a comedy making me interested in classic documentaries which I think is cool as shit.

#32 Lodge 49

This is not a show I would oversell to someone who is interested in watching it personally.  It is an extremely low key type of show that is pretty uninterested in plot.  That's the type of show, that if oversold, can make people wonder what the big deal is.  That would have happened to me had I not "discovered" it on my own.  But I recommend this show and be prepared for how laid back it is.  Unfortunately it was cancelled which on the bright side means a low investment in time to watch the whole thing.

#31 American Vandal

Remember above when I mentioned that Russian Doll is probably benefiting from not yet having its second season air?  Well it could pull an American Vandal, which did have a weaker second season, but not by much.  What a delightfully unusual show this one is.  It's a show that makes you sound like a crazy person when you make the case for it in person: believe me I've tried.

#30 Crazy Ex-Girlfriend

I'm very glad this show exists.  While I don't exactly think this show had many weak points, the main character could be... tough to watch at times, which is why I can't place it higher than this.  But still this is a show with many, many original numbers (most of them inspired by something else) that are endlessly re-listenable.  Search for some Crazy Ex songs on Youtube, and if you enjoy them, this show might be for you.  (Here are two of my favorites: 1 and 2)

#29 You're the Worst

This show was a little too committed to the awfulness of its characters to place higher than this (sometimes it became hard to watch), but it told its story in the time it wanted and had a good final season, which is better than you could say about a lot of shows honestly.

#28 Watchmen

To be perfectly honest, this show is better than some shows above it - but it is working with a very small sample of episodes, and if it continues its momentum, will be high on the 2020 lists.  I've also only currently seen four of the episodes, but am pretty sure I'm not going to regret this ranking.  Including shows that clearly are going to go for more seasons but literally just started is weird when making an end of the decade list.

#27 GLOW

This is mostly here on the strength of its second season, probably one of the best seasons of television of this decade.  That's to take nothing away from its first - which needed to get to the wrestling part to find its groove - or its third - which is a little too scattershot, but still has its high points.  Still a pretty great show.

#26 Party Down

All shows are unrealistic, but I now know how lawyers feel about the accuracy of lawyer shows and doctors feel about doctor shows.  Cause wow.  This show is about Hollywood caterers and while I obviously live in St. Louis, this show does not seem all that realistic.  Nonetheless, this has one of the greatest comedy casts ever and takes advantage of that.

#25 Boardwalk Empire

The curse of being the show compared to The Sopranos.  I didn't see this show on many end of decade lists, so I was very surprised to find out that the entire show did in fact air this decade.  A highly underrated show, again this show had the misfortune of being directly compared to The Sopranos due to Terrance Winter, and while it is no Sopranos, it still is worth a place on this list.

#24 Broad City 

This is one of those shows were initially, the perception of this show of people whose TV tastes I trust was at odds with my perception.  Not to say I ever disliked this show, but they always seemed to grade it a little higher than I thought.  But the show seemed to only get better with each season, an opinion I'm not sure is shared by many, and didn't overstay its welcome.  In fact, I believe its last season will land on my top 10 this year, which again - aside from cancellations - doesn't happen that much.

#23 Jane the Virgin

Ah, a show with a title that is instantly off-putting - and to a certain extent the premise is too.  This sounds like a show you can write off - but you can't.  Sometimes, I warn that shows get off to slow starts and eventually find their way - that's the norm actually - but this show came out of the gate instantly great and in fact made my top 10 shows of the year every year since its inception.

#22 Brooklyn Nine-Nine

Talk about unlikely good shows - go back to the Roast of James Franco and lots of people make fun of Andy Samberg for this - which hadn't aired yet - becoming cancelled or bad soon.  And I didn't really blame them for thinking it to be honest.  Instead season seven is going to air in 2020 after a cancellation and subsequent pickup by NBC.  This has the consistency of a Bob's Burgers with better high points.

#21 Stranger Things

Part of me wonders if this should be higher, but then I remember that the solo Eleven story exists, which is easily the worst thing this show ever did.  A huge gamble and I admire the ambition, but man did that episode fall flat and halt that season's momentum.  Anyway, aside from that, the rest of the show is great.

#20 Barry

A hitman turned actor is a great premise that I can also see failing spectacularly.  But Bill Hader has long been a great actor in need of a vehicle for a starring role and Barry finally provides it.  And ronny/lilly is one of my favorite episodes of anything for a long time and completely unlike anything I've ever seen.

#19 Hannibal

I'm a little worried about recency bias for most of my list, but not this one, which I haven't seen in four years since it last aired.  But I remember loving this weird, well acted show that has been unlike anything I've ever seen.

#18 Review

It's here where I'll again knock a show for very few episodes, because this show is a masterpiece.  It's only three seasons with the third being only 3 episodes, and it's not immediately clear it's a masterpiece when you first watch it.  So I'm aware I'm probably raising expectations too high.  But hilarious and dark show.

#17 Better Call Saul

The spinoff of Breaking Bad ultimately has a chance to pass that show in quality, depending on how it ends.  But for now, it'll have to "settle" merely for being the 17th best show on my list.  It is a way better than show than it has any right to be.  Yes, the character of Saul Goodman always looked ripe for his own show, but it never seemed like it would be this good of one.

#16 Fleabag

It is a testament to how good this show is that I have it this high with just 12 episodes.  I cannot stress enough that the amount of episodes and the success rate of that amount is heavily factored into where shows ranked.  It just does not seem fair to rank a show with 50 good episodes below a show 20.  But as I said, this only has 12!

#15 Gravity Falls

As a show that was on Disney XD, which I'm not convinced is a real channel, I did not watch this when it first aired, but well after, on Hulu.  It's only two seasons and 40 episodes, but it has a central mystery behind the comedy that is compelling in its own right.  This is a classic mystery show that constantly teases and foreshadows and actually delivers on that promise, unlike... just about every other mystery show there is.

#14 Nathan for You

This is one of those shows that, I'm sure if you watched the first episode - maybe even the first season - you'd be truly mystified at this ranking.  And I don't necessarily blame you.  It's best episode by far is its movie length last episode - another thing that would mystify based off just watching the first episode.  But stick with the show and you'll find it more than just funny and entertaining.

#13 Justified

I truly do want this to be higher, but I can't really go any higher than this, since for most of its run, it never really vaulted into one of the best shows on television.  The exception is the Margo Martindale season 2, and Timothy Olyphant and Walton Goggins constantly kept things entertaining, but what sealed its place on this list was its strong final season as well.  Modern Western that I wholeheartedly recommend.

#12 Community 

The sheer consistency of this show for its first three seasons is nearly unmatched by any other comedy on this list - and the first 9 or so episodes of the first season are not included in this list since they aired in 2009.  But that barely harms the show since it didn't really hit its groove until the 2010s hit.  Unfortunately, there's the dreadful season 4 and season 6, but I hardly feel compelled to hold that against them.  Dan Harmon was fired, a lot of the behind the scenes people left with him and the show's momentum was killed.  They did recover to make a good season 5 at least.

#11 Bojack Horseman

I have not completed the most recent season, but I don't have to - the show's first five seasons speak for themselves.  I'm knocking it ever so slightly for keeping its characters in stasis - and they are far from the first show to do so - but it tends to tilt towards misery porn at times with watching its main character constantly screw his own life over.  It's still 11 so obviously I don't have a huge issue with that, but it's a small complaint.

#10 Veep

Even in its down years, the cast and the colorful language kept this entertaining.  And obviously, the show became nearly prescient with what's happened after it aired, making its parody of politics reality.  I will say - it doesn't hurt the show much - but in its middle years, the show's commitment to not reveal Selena's party hurt it a bit - in my opinion anyway.

#9 Rick & Morty 

If only I could put this on this list without the backdrop of its annoying fandom that surrounds it.  I think I got into Rick & Morty before I let the fandom impact my opinion of the show, but I pretty much don't blame people who don't watch it at this point.  Nonetheless, they are missing out as this is a very inventive, funny comedy.

#8 Rectify 

I am struggling to write passages for every show - I'm not sure why I did that - but especially so for shows like Rectify.  Rectify apparently last aired an episode in December of 2016, and while that was three years ago, it feels like five.  So my memory of this show is of a quiet, very well-acted, very well-written drama that I need to rewatch as soon as I can.

#7 Parks and Recreation

With the 2009 episodes cut off, you lose.... virtually nothing.  You lose Hunting Trip, which is a classic, but otherwise you get a very different show in the first six episodes and a show still finding its footing in the beginning of season 2.  And I wholeheartedly recommend you start watching at season 2, but it's not quite at its peak yet.  Rob Lowe and Adam Scott enter the picture in the back half of season 2 and then the show becomes a classic.

#6 Fargo

If only it weren't for season 3, which is definitely better than I remember it, but which was coming off the tails of one of the best seasons of television I've ever watched in season 2.  The show is this high almost entirely on the back of season 2, even though season 1 is quite good in its own right.  And like I said, season 3 isn't bad, it's just mostly unpleasant to watch, which I realize sounds like a different way of saying it was bad, but you'd understand if you watch the show.

#5 Atlanta

How good is this show?  Well it's ratings appear to be shit, though I do not know the context for FX shows, and it got renewed for a third season after the second season and a fourth season in August of 2019 very randomly.  It still hasn't aired the third season.  Between Donald Glover's music and movie career and Laketh Stanfield being in every movie lately, I feel like we're going to get season 4 in 2025.

#4 The Pacific

This is technically a miniseries and I obviously have no other miniseries on this list, even though I'm sure I could have included more.  Alias Grace comes to mind.  I strangely haven't seen Show Me a Hero, but that's a David Simon show so I'm sure that has an argument.  But I just had to include this show, which doesn't even seem like it aired this decade, but it did.  It is a much more difficult watch than Band of Brothers, but no less remarkable.  In fact, it's told in a more - ambitious? - way and with less audience hand-holding.

#3 Breaking Bad

I'm not the biggest fan of the final season, but seasons 3 and 4 are the most thrilling, fly by the seat of your pants television I have ever seen and probably will ever see.  This is sort of a "watch it one time" type of show and if you watch it more than once, watch it with someone else with fresh eyes.  I'm still afraid I'm putting it too high - not that many would argue - just because, as I said, not the biggest fan of season 5.  But even then, season 5 has Ozymandias so you know what, it belongs.

#2 The Good Place

It is entirely possible that this show will fuck up the ending, but that actually doesn't matter at all on this list.  I mean a show as geared up towards an ending as Good Place will retroactively make the rest of the show worse if they do it badly enough, but I don't think that's going to happen.  Truly one of my favorite shows of all time.

#1 The Americans

I mean come on.  If you guys ever ever read my TV stuff - literally ever - this is the least surprising #1 pick ever.  It was my #1 show every single year I made a top 10 list.  I'm going to have to make my first top ten list without The Americans in a couple weeks.  And I don't know what's replacing it.  So that'll be fun.  So watch The Americans I say enthusiastically and demandingly.

Honorable Mentions
Legends of Tomorrow - A truly entertaining show I recommend to anyone.  It probably should have made its way on my list.

Archer - Unfortunately, this show was great for about two years, and one of the better years was in 2009 so pretty easy omission here.

The Crown - It's a bit too boring, but it's very well made and has great acting.

The Knick - The Steven Soderbergh produced show benefits heavily from what I thought was a great ending in its two season run.

Black-ish - In terms of sitcoms with serious highs, this had a real shot, but there's a whole lot of episodes of this show that are skippable.

Wilfred - This show never had a real shot at this list, but I do want to give a shoutout to this weird ass show that I liked a lot!

This is Us - Yeah yeah this show is actually good and it's kind of annoying, but it does try to manipulate emotions too much.

Shameless - At this point, I think the not good seasons outweigh the good ones, and that's why it's not on here, but it had a good run for a while there.

Santa Clarita Diet - Dark comedy featuring Olyphant and Drew Barrymore that I can't recommend enough if you like dark comedy.

Orphan Black - Again, never a real shot, but watching Tatiana Maslany play 20 different characters is worth the price of admission.

Banshee - Very kickass show

Chernobyl - I forgot to mention this show when mentioning miniseries that probably could have made it.

On Becoming a God in Central Florida - I felt weird putting too many one season shows on this list unfortunately otherwise it did have a shot.

Top Ten Dramas in 2016

If you missed it, on Monday, I posted my top ten comedies of 2016 along with some strong honorable mentions.  I was honestly not truly expecting to add any show to this top ten between then and now.  Technically speaking, I hadn't made this top ten yet.  I had 11 shows in mind and I needed to cut it down to 10.  In the process, I was watching another show, thinking it would be a strong honorable mention at best.

Well, I entered today needing to watch the final three episodes of that show so I didn't write a single word.  I knew if this particular show would make my list, it would be on the bottom part of the list and I tend to want to write these in order.  So once again, I'm making this post after having cut it down to the wire.  By the time I post this, I will have finished my last top ten show just two hours before and I hadn't written a single word when I finished the finale of that show.  Luckily, the hard part of this post is watching tons of hours of television and not actually writing the post itself.

#10 The Girlfriend Experience (Season 1,  )
Model Episode: "Separation"

Without spoiling, the finale was an incredibly bold piece of television.  It's not bold for the reason you'd assume a finale would be bold either.  For one thing, it's been revealed that this show is an anthology show.  So nothing that would theoretically happen in a conventional finale would carry over into season two.  So it's not really the firework type of finale.  But it's off-putting and surprising and probably divisive as hell.

In fact, while I put The Girlfriend Experience here, I'd have to know your specific tastes to recommend it.  It almost seems anti-television.  It took me a few episodes to understand what it was doing.  In the process, it was beautifully shot.  Just absolutely gorgeous cinematography.  It's a part of the series' design, but this show was really cold.  The protagonist - she's not really a good person and the tone of the series mirrors her personality.  So for one thing, don't really go towards this show if you have an eye towards connecting with characters.  You'll feel for her at times - especially when the show takes sort of a thriller vibe - but you will probably not understand her all that well.  And as for the supporting characters, they don't get really get ANY characterization.  It's hard for me to explain the appeal of this show to be honest.

#9 Game of Thrones (Season 6; HBO)
Model Episode: "The Door"

I said this in my comedy top ten for a different show, and it applies here as well.  Game of Thrones isn't on this list because it improved significantly from season 5 to season 6.  (You could probably argue it declined, but I've never really looked at Game of Thrones all that critically so I'm not going to be the one to do that.)  It's on this list, because six of the ten shows I put in my top ten last year did not air a single episode in 2016.  How crazy is that?  Three of them ended, one of them was a miniseries, and the other two just couldn't get their season done in time for 2016.  (Which again led to some difficulty in the top half of my list)

I'm shortchanging Game of Thrones.  Honestly, it suffers from something that plagues a few series I consider: I mostly forget about it by the time this list rolls around.  I remember Game of Thrones by the big moments, but forget just about everything else.  The big moments are admittedly really great television.  I included "The Door" instead of "Battle of the Bastards" because that final scene hit me like a ton of bricks in a way very few shows have done.  A characters' death still being capable of doing that to me is a good sign for Game of Thrones.

#8 Crazy Ex-Girlfriend (Seasons 1-2; CW)
Model Episode: "When Will Josh and His Friend Leave Me Alone?"

Talk about an impossible show to compare to other shows.  This show basically ruins the concept of a top ten for me.  Because I don't know whether to call it a drama or a comedy, but it's an hour long so that's easy enough for me.  (For what it's worth, The Girlfriend Experience is a half hour, but that is clearly a drama)  If you're into musicals, watch this show for sure.  I'm not really into musicals, but the music is a key element of this show.  Each episode will usually have two musical numbers.  Here's the show's most expensive element from the second season premiere.  I don't think context will be needed to watch that one.  That is NOT from the episode I picked as the true musical number I would have picked would be a huge spoiler.

Anyway Rachel Bloom navigates a complicated character who has some serious issues.  Nobody else could play her.  I mean she's the creator of this series so it seems like she already had this character in her head before this ever became a show.  And if you want to have an idea of the type of humor Bloom has, just look at any of her Youtube videos, pre-Crazy Ex-Girlfriend.  The second season has somehow been an improvement over the already pretty great first season, with more of a reflection on the friendship between Rebbeca (Bloom) and Paula (Donna Lynne Champlin).  Their relationship centers the second season in much the same way that the love triange centered the first.  Watch this show because the ratings are LOOOOW and I don't really want it to get cancelled.  Thank you.

#7 Stranger Things (Season 1; Netflix)
Model Episode: "The Flea and the Acrobat"

Confession: I guessed on that episode.  I didn't really think of Stranger Things has having one particularly great episode because the whole show is too connected to think of it that way.  I'm sure one of the episodes is the standout.  I watched it six months ago though.  It mostly could have been any episode.  Besides, if you're watching Stranger Things, you're not skipping to the fifth episode for the model episode; you're watching all eight.

Strictly speaking, from a critical sense, this is probably too high.  But I had more fun watching it than I do watching most things.  David Harbour (Hopper) should have his career explode now.  Similarly, Millie Bobbie Brown will go on to have a great career as she does some very difficult things as Eleven.  I mentioned this in my review of Stranger Things, but the one disconnect between how most people who perceived Stranger Things and how I did was Winona Ryder's performance, which I didn't feel was all that great.  But that's mostly a minor thing.

#6 Jane the Virgin (Seasons 2-3)
Model Episode: "Chapter 51"

If you're wondering, I just picked the most recent episode of Jane the Virgin.  Jane watches Alfred Hitchcock movies to improve her writing, so the show takes breaks from reality at points in the episode and then shoots the show like Hitchcock is the director for short snippets.  It's a perfect encapsulation of the appeal of the show.  They do whatever the hell want.  There's also a strong telenovela storyline with Rafael trying to find details from his past, Jane feeling like she's lost a connection to religion, and Rogelio trying to find a baby mama.  It varies wildly in tone and it makes them seamlessly fit together.

If I was a betting man last year and I needed to bet on whether Jane the Virgin would be on this list this year, I would easily bet that it would not.  Not only does it repeat, but it's actually one spot higher than last year.  Sure, part of that is due to the mass exodus of most of the shows in front of it, but another part of it is that Jane the Virgin might just be the most consistent show on television, an amazing thing to say for a show that navigates as many storytelling devices as they do for 22 episodes!  Here's hoping it lands on this list next year and I'm not as sure that I would make the same bet.

#5 Rectify (Season 4; Sundance)
Model Episode: "Pineapples in Paris"

It's really too bad the show didn't begin season four as strong as it finished it.  The finale was naturally a bit too long, but given the circumstances, I certainly can forgive it for that.  Besides the inflated length, the final four episodes were some of the strongest Rectify episodes they've had.  If the first four had been as strong, Rectify would be making a strong case for a higher ranking (probably not #1 though)

But it speaks to the power of the show that I'm able to say something like that in an eight-episode season and still rank it #5.  I've said it many times, but Rectify is among the most emotionally devastating shows on television and it does so quietly. The things that make you teary-eyed in Rectify would usually not make you teary-eyed on normal shows, but Rectify is so well-written and so well-acted that it can blindside you with the simplest things, like someone getting a job or someone asking for a divorce.

#4 American Crime Story: The People vs. OJ Simpson (Season 1; FX)
Model Episode: "Marcia, Marcia, Marcia"

Man this show really blew up when it aired, didn't it?  I'm sorry to inform you guys that season two will suck.  Of this I am certain.  Ryan Murphy had NOTHING to do with season except as a producer.  The guys who wrote this season?  They gone.  Murphy is back to writing for the second season in this anthology series.  Whether you're a fan of his or not, I can't really see how American Horror Story or Glee or Nip Tuck or any other show he's done in the past would fit into the tone that the first season of American Crime Story did.  So appreciate this season while you can.

Oh right I guess I should talk about this show.  Well I have it at #4 for a reason and most of that reason has to do with the acting, whether it be Sarah Paulsen as Marcia Clark (hence my pick for the model episode), Sterling K Brown as Christopher Darden, and Courtney B. Vance as Johnnie Cochran.  I mean damn all three of those people have a good case for winning an acting Emmy and I really couldn't argue with it about it.  John Travolta plays Robert Shapiro very weird, but it somehow works, and David Schwimmer manages to evade the character Ross in playing Robert Kardashian.  Cuba Gooding is a weak spot in an otherwise great ensemble, but this series focuses on the trial and OJ isn't a huge part of that so it's not an issue.

#3 Better Call Saul (Season 2; AMC)
Model Episode: "Klick"

More confession time: Better Call Saul got screwed over last year.  It probably should have been in my top ten somewhere.  Again, and I'll try to figure out a way around this next year, it is simply a matter of recency bias, or lack thereof in Better Call Saul's case.  Its season starts in January and ends in April and by December, so many other shows have entered my mind that the greatness that Better Call Saul hits escapes me.  I suffered that too this year.  I needed to look up the episode descriptions to remember how great this season was.  In this case, the disappearance of six of the shows from last year is a blessing.  Better Call Saul may very well have been forgotten if I wasn't forced to look harder for a top five.

However, I'm making it sound like the second season isn't better than the first and it clearly is.  So yes, I feel bad, but I don't feel too bad, because it should have been in the bottom half of the top ten and most of those shows end up interchangeable with how close in quality they are.  Jimmy is edging ever so closer to becoming Saul Goodman, but if that's what you're looking for, expect to wait longer.  The creators love Jimmy and want to delay his "transformation" for as long as possible.  They want to see more Jimmy and I can't say I blame them.

#2 OJ: Made in America (Miniseries; ESPN)
Model Episode: Episode 5

I really didn't want to have two OJ Simpson focused television shows on my list.  I watched the first two parts in June and kind of forget about it until December.  I was struggling with whether to watch it when considering my list.  I reasoned "It probably won't make my list anyway because I have no interest in having to OJ Simpson shows on here.  They'll be too alike."  Well obviously I decided to watch the whole thing.  I don't know what happened over the summer to get me to stop watching, but I'm glad I picked it back up.  Obviously.  It's #2 on this list.

I also quickly found that there was no way I could combine both OJ properties onto this list because they are entirely different entities.  They simply aren't the same.  This documentary is higher because of its scope.  It's way bigger than just the trial.  Also, we get a really great look into OJ Simpson, which American Crime Story didn't do at all.  That's why I felt I needed to separate the two series.  Because they aren't trying to accomplish the same things at all.  This documentary is a freaking masterpiece.

#1 The Americans (Season 4; FX)
Model Episode: "The Magic of David Copperfield V: The Statue of Liberty Disappears"

Man Gabe really couldn't go with an easier episode title.  There's a simple reason that The Americans is higher than OJ: Made in America, which I called a freaking masterpiece just two sentences ago.  That reason is time and being scripted.  That's it.  I figured out that, in minutes, The Americans had more minutes in its season than the documentary had in its five parts.  I consider them on mostly equal footing, I just hold a wholly original creation slightly higher than a documentary, no matter how good.

So this will not be the year that The Americans is unseated.  I'm guessing it would not have been my #1 show in 2014, but I wasn't making these lists then.  For the sake of my enjoyment, I hope it never leaves the #1 spot.  I have nothing else to say except "WATCH THIS SHOW IF YOU AREN'T ALREADY GOOD GOD WHAT DO I NEED TO DO TO CONVINCE YOU PEOPLE"

Honorable Mentions

Orange is the New Black - I held Orange is the New Black's fourth season in a similar vein as I did to Game of Thrones' sixth season.  I had a desperate want to include it on my list somewhere, but it became increasingly clear only one of them could make it.  I feel Game of Thrones is a tighter show.

iZombie - I also pretty desperately wanted this show on my list.  The aforementioned 11 shows I needed to cut into 10 shows included this show.  Then The Girlfriend Experience came into play and iZombie got lost in the shuffle.  It definitely suffers because for some reason, its newest season doesn't begin until 2017, which is highly unusual for a network drama.

Mr. Robot - Mr. Robot's first season would have made it on my top ten if it aired a year later.  But the second season wasn't quite as good - it was pretty much all set-up really - so I couldn't include it here.

Vikings - Vikings is a very daring show that I thought could make my list.  If the entire show was as compelling as any scene Travis Fimmel is in, it would make my list, but unfortunately the other aspects of the show aren't nearly as strong.

The Path - This really only gets an honorable mention because I want to call attention to a solid show produced by Hulu!  It probably isn't in my top 15 shows of the year, but it's a good watch about a cult.

The Crown - This series surprised me.  I really didn't expect to like it as much I did.  There really is just not room for it on my list unfortunately.

No I did not forget about this show

Westworld - Well there's always going to be one show where I disagree with the vast majority of people and/or critics.  Last year, it was The Leftovers.  This year, Westworld.  So this isn't a true honorable mention so much as an acknowledgement that somebody might complain about this show's omission.  I reviewed this show if you want my thoughts on it.

Rectify S4 Review

More people have helped me than harmed me. The harm seems to leave the deeper mark

Rectify has ended.  The little-seen, but much-praised series came to an end last Wednesday after just four seasons and 30 episodes.  If only more shows knew how to make the mark that Rectify made on me in so little time.  The fourth season wasn't its best, but it was still Rectify, one of the best shows on television.

When we last left Daniel, he was leaving Paulie, Georgia as an excommunicated man.  He legally could not enter the state of Georgia or he would go back to prison.  Rectify and Paulie have been so interconnected throughout the series that it was natural to wonder if him leaving would affect the series' tone or quality.  It did, in both good ways and bad.  The season felt fractured, intentionally so I would guess.  The separation of the main characters was felt through this dynamic.  But at the same time, it still led to some episodes that didn't really connect its storylines.  The individual scenes were on par with what I recognize as Rectify, but the episode itself tended to be less than the sum of its parts.

At the New Canaan Project, Daniel gets a much-needed support group to help him succeed on "his own."  Technically with this project, he's not really on his own, but there's little question that when he begins this series, he is for all intents and purposes, on his own.  He refuses to open up to the other members, a natural consequence of distrusting strangers after 20 years in prison.

While I don't necessarily think she was an outright negative, Chloe was a bit of a misstep.  Caitlin Fitzgerald does her best.  I really wanted to embrace her as a character, but she seems like too much a cypher.  Her character seems pretty stereotypical to me - a flaky artist - who I'm still not sure why she gravitated towards Daniel.  Their relationship - such as it is - progresses way too fast for narrative purposes.  Fitzgerald is not to blame.  I've seen her in this and Masters of Sex and both times, she's vastly better than her material.

This season also further separates Ted and Tawney, which has been a long time coming.  Ted realizes that he's going to need to be the one to make the first step towards divorce or their life would remain in stasis.  Clayne Crawford's acting in that scene is incredible.  In season one, I would never have guessed I would be extremely invested in Ted, with my heart consistently breaking for him.  It's too late, but he seems to have genuinely changed.  As part of the relatively by Rectify's standards fast-paced timeline, he went from drinking away his breakup to entering AA to stop drinking over the span of one episode.

Really, if you've made it into the fourth season of Rectify then this next part should go without saying, but I'm going to say it anyway because it deserves to be mentioned: the acting is some of the best on television, whether it's Aden Young's sympathetic, yet slightly off-putting performance as Daniel, Adelaide Clemens as soft-spoken and kind-hearted Tawney, or the "good ole' boy" Ted Jr by Crawford.  That doesn't even mention the very underrated J. Smith-Cameron as Janet.  I don't mean she's just underrated normally, but she's underrated by the show's own standards because some of the other performances are more easily noticeable.

One of those noticeable performances had a lot less to do in season four.  Abigail Spencer as Amantha, Daniel's sister, has always been the standout performer from episode one.  But as she is no longer fighting for Daniel's cause, there's not really much for her to do.  I don't think her budding romance with her former classmate was a chore to watch or anything and it worked, but I just sort of missed the Amantha and Daniel interactions from seasons' past.  Her trademark wit was also less significant from the story.

Basically, an unavoidable "weakness" of this season by its very premise was the lack of interaction between Daniel and everyone in Paulie.  I think Amantha and Daniel had one phone conversation, Tawney talked to him for the first time since I think season two in the finale, and Ted Jr only had one phone conversation (it was very touching).  At least the two parents got to visit him for one episode (perhaps not coincidentally, maybe the best in this season?)

The New Canaan Project was a genuine success as a story.  When Pickle gets a job and they go out to dinner to celebrate, it's amazing how much meaning Rectify is able to put into a story like that.  Describe the impactful moments of this series and some of them will sound impactful, but some of them will just elicit "that's it?"  That's why I think this series is kind of a hard sell.  The most mundane things - things we maybe take for granted - can become beautiful in this series.  (He'd been searching for a job for seven episodes though and it's well-known how hard it is to get a good job once you get released from prison so I doubt this is a hard sell).

It's been a week since I watched the finale and it took me about this long to write that review because I didn't know what to say.  That's probably why this review is more negative than what my actual feelings are - it appears I remember more clearly things I wasn't necessarily sold on - rather than all the jubilant and emotional moments.

Rectify has three seasons on Netflix and I'm guessing the fourth season is going to get posted within the next year.  Convince everyone you know to watch it.  Somehow.  I have frequently failed.  But it's only 30 episodes!!  That's a piece of cake.  It is by far the most I've ever been affected by a show emotionally.  I once tweeted "Ready to be emotionally devastated by Rectify" and it comes through just about every episode of the series.  This season was no exception, minor complaints and all.  Expect to see it on my top ten dramas next week.

Grade: A-

2015 Top Ten Dramas

I made the foolish decision to make an end-of-the-year top ten list.  Most top ten lists come out before Christmas, but there was just no time for me to watch what I felt I needed to watch in order to come up with the best possible list.  Given that the holidays provide loads of opportunity of free time, it was also more convenient.  I don't regret that decision either.  The list today, the top ten drama, could have been ably made without the extra time, although a couple shows are in the top ten that I just watched in December.  The comedy list on the other hand would have looked a hell of a lot different.

For my order, I decided to list them backwards from 10 to 1 and then afterwards list the honorable mentions.  I feel by abstaining from listing the honorable mentions until afterwards, you might actually have some doubt as to what will come towards the top.  Also, I don't want to list your favorite show in the honorable mention, you'll get mad and then not read the rest of the post.

Both lists are what I think are the best, but I will admit a certain element of how much I enjoy the show comes into play.  By that I mean, there are a few shows that could technically be described as better than some in the top ten, but whenever I put them in there, it just felt wrong.  It felt like I was putting it in there only because I felt it was supposed to be in there and not because I thought it was one of my top ten shows of the year.

Anyway my opinions are my own and there's really no need to be offended that I didn't include your favorite show.  There's a decent chance I don't even watch it too.  I don't have a specific example for dramas, but I'm fairly certain Bob's Burgers most recent year would be strongly considered for comedy, but I'm just not caught up to the show and it was not possible for me to do so.  I've wasted enough words introducing this list so let's just get on with it.

*I only count episodes that air in 2015.  Most of the shows in this list have the entire season air in 2015, but for shows like The Flash that still follow the traditional network television format, 2015 covers one half of two different seasons.  To stay on that example, I'm not technically counting the first nine episodes of the first season of The Flash.

#10 The Flash - CW (Season 1-2)

I consider this show's placement on the list to be an upset.  I hadn't planned on putting this on my top ten.  I wanted to put it in my top ten, but then I went through the list of shows that I was considering and I didn't seem to have any room for it.  The more I thought about it though, the more I realized it had to be on the list.

The Flash is unlike just about every other recent superhero show or movie in that it purposefully goes for a lighter tone acknowledging that being a superhero would be pretty fucking awesome, especially one who runs at lightning speed.  It's a show well aware of its origins and it embraces those origins.  It has the cheesy, pun-related and comic book dialogue while also retaining an emotional core thanks to a strong cast led by Grant Gustin and Jesse L. Martin.  Plus, it appeals to both comic book fans and people who have never read a comic book in their life (like me).  I've seen enough comments and read enough reviews to know you might actually enjoy this more if you're into the comics, because the creators are well-versed in its history.  But seeing as this is number ten on my list, it obviously appeals strongly to novices in comics too.

There are reasons to watch The Flash and then there is THE REASON to watch The Flash.  That reason is Tom Cavanaugh.  Words can't adequately describe just how good of a performance he gives, specifically in the first season.  He's Barry's mentor and he seems sincere in his intentions, but he also has hidden motives and is clearly not totally on Barry's side.  He's able to play these seemingly contradictory points to near perfection.

Model Episode: "Fast Enough" (S1 E23)

So far the best episode of the show was the season one finale.  One of the joys of The Flash's first season was that it was able to seamlessly blend its monster of the week and its season long narratives.  It all culminates in, frankly, a batshit insane finale.

#9 - Making a Murderer - Netflix 

Given that this was released two weeks ago and I've seen nothing like the cultural impact that The Jinx did when that aired, most of you probably haven't watched this.  (Edit: Well, when I wrote that, it was a true statement.  It's seemingly blown up recently though.)  Well, I'm going to need to take this opportunity to say that you should.  It is very hard for me to put a documentary series on this list - The Jinx wasn't anywhere close to making it - and yet I can't deny that this belongs here.  The show is about Steven Avery, a man wrongfully convicted back in 1985 of sexual assault.  He later gets released and well... find out the rest of the story by watching the documentary.  If you think that was a spoiler, he gets released by the end of the pilot episode and it was also apparently a very famous case.

The Manitowoc County police department is clearly corrupt, BUT this series does show certain things even honest cops might do that terrify the shit out of me.  Like when interviewing potential witnesses, accidentally give them crucial information that they otherwise would not know.  Although if you've seen this series, what I'm referencing is nothing short of despicable.

Model Episode: "Indefensible" (S1 E4)

It's hard to pick a specific episode, but I believe this episode had the biggest impact on me.  It's one of the hardest things I've ever had to watch, mostly because it really happened.  Again, I don't want to spoil, but I'm just getting angry thinking about it.  If you watched it, I'm talking about what happened to Branden Dassey and his appointed lawyer.

#8 - Sense8 - Netflix (Season 1)

This show is responsible for one of my favorite scenes of the year, when the group of sensates all sing along to "What's Up" by 4 Non Blondes.  I don't think my feelings towards that scene can be replicated because I tried to watch it on Youtube and it's just not the same as that first time.  That was the moment I fell in love with the show.  Sense8 is about eight different characters around the world of different ethnicities, sexual orientations, and genders.  They are able to communicate with each other gradually, through their special abilities.

There's something so different about this show.  It's full of the celebration of human life, of the differences in human beings and how we should celebrate those differences.  It's a show with eight characters that couldn't be more different using their differences to overcome the threat to their lives.  It could be characterized as slow and the characters themselves could be characterized as cliches.  To an extent, they do start out that way.  I'm starting to come around to the idea that being a cliche isn't necessarily a bad thing by itself as long as you develop the characters.  Also you could argue it's necessary with such an ambitious idea to familiarize the audience with the characters as soon as possible by creating known character staples.

The cast is quite good despite being full of relative unknowns (full disclaimer: the foreign actors might be well-known elsewhere, but I'm pretty good with actor's names and I've never heard of any of the eight principal characters so I feel comfortable saying they aren't well-known in the US).  Anyway, none of them are weak links.  If there is a standout actor, I'd have to give it to Miguel Ángel Silvestre, who plays Lito.  For the entirety of the show, his story is pretty much completely unrelated to anything else happening and due to him (and Alfonso Herrera and Eréndira Ibarra) it's arguably one of the most compelling.  And Doona Bae, who plays Sun, is also pretty good by virtue of playing my favorite character.

Model Episode - "What's Going On?" (S1 E4)

There's really no way for me to pick any other episode.  This is an episode that takes full advantage of its premise by having every character sing along to a... well it's not a very well-respected song critically speaking.  (I don't mind it, though I was literally one-year-old when it was popular and I have a feeling it being overplayed is a huge factor in why it's disliked among certain circles).  I also rarely can point to one specific episode that makes me love a show and how can I resist picking the episode of Sense8 where everything clicked.

#7 - Jane the Virgin - CW (Season 1-2)

It says a lot that two CW shows made my top ten list.  Seriously, when did the CW become so good?  (Also, I'm sorry iZombie fans, but this won't make my list and it's entirely due to the fact that, hey some really good shows needed to be left off this list).  Jane the Virgin distinguishes itself from other shows I watch because it is entirely different from every other show I watch.  It juggles different tones constantly between being a melodramatic telenovela, a multigenerational family drama, a romantic love triangle, a crime mystery (easily the weakest part, but hey you need to keep Michael involved), and I'm probably missing something else.

I'm not going to write a review of this show anywhere else so I need to say it here. One pet peeve of mine about this show is Jane's writing career.  In order to keep the show somewhat in reality, the writers clearly intend for some things to be realistic, like the familial bond, and some things that could come out of a telenovela.  I get the impression, and I could be totally wrong here, that her writing career is supposed to be at least semi-realistic.  I don't know what it is, whether it's my jealousy at how easily she's able to go back to school post-graduation (I would love to take the graduate program she did, but due to the price and lack of foreseeable income it would generate, I can't) or the fact that the show isn't all that convincing in portraying her as this great writer she's supposed to be, but it just rings false to me.

Anyway, I just had to share that.  I have to give credit to the show for creating a love triangle where both men seem like actual competition instead of the usual love triangle where it's pretty obvious which one is the better option.  (For what it's worth, due to the fact that Rafael's strengths are mostly pretty face and rich, I'm #TeamMichael)  Gina Rodriguez is perfectly cast, able to change her performance for whatever the tone of the scene requires.  Yael Grobglas's performance is so good that the writers know that no matter how bad her actions are, the audience will sympathize with her character.  Lastly, Jaime Camil takes an over-the-top telenovela star whose performance fits that characterization and makes him a character... somehow.  It's great.

Model Episode - "Chapter 28" (S2 E6)

Since I watched the first season in literally less than a week, it was kind of hard to pick a standout episode.  But ultimately I went with an episode that proved the writers were unafraid to try new things.  This episode occurs over three months, a pretty drastic change from its usual format.  I also could have chosen the episode when the "bromance" between Rogelio and Michael starts or the season one finale, which is probably a better representation of everything that makes Jane the Virgin great.

#6 Mad Men - AMC (Season 7 Part Two)

The first four shows on this list represent shows in their first season, so its fitting that I break the trend here with a show in its very last season.  There's not really anything new I can add that hasn't already been written about Mad Men.  Not many shows could have nearly every episode put an end to a character's journey.  Essentially, each episode seemed to have an episode where if if they were the main character, that episode would function as their de factor series finale.  They may have appeared in later episodes, but they did have a specific episode end their character journey.

I don't find anything particularly unique about Mad Men's final season (part two) compared to its previous seasons.  Obviously, given its placement on this list, that isn't a complaint.  I just mean to compliment the virtues of Mad Men's final season (part two), I might as well be complimenting what makes Mad Men, Mad Men.  While I hold the first four seasons higher than the following three - including the final season - what is "average" Mad Men is quite a bit better than everything else on television.

Plus, I think Mad Men stuck the landing for the finale.  I consider the journey more important than the conclusion (which is why I think Lost is still a great show), but I've found instances of picking this list where the finale factored a lot more into my thinking than I thought they would.  It ties everything together.  Hell - and this will probably sound blasphemous to some - it's significantly lowered my opinion of Breaking Bad (at least in terms of best shows ever).  So, thank you Mad Men, for ending the show on a good note.

Model Episode - "Person to Person" (S7 E14)

Well, it'd be really weird if this wasn't my pick after my whole last paragraph said how great it was that Mad Men ended the show on a good note, wouldn't it?  Anyway, I've always found it hard to tell apart Mad Men episodes from each other except for the select few that seem to end up on the "Best Mad Men Episodes" list.

#5 - Rectify - Sundance (Season 3)

I'm going to guess most people have either never seen this or if they did, thought it was too slow.  It's also only six episodes.  How do judge a show that only has the burden of making six episodes over a show that has to make 22 episodes?  Well, there are two ways I'm justifying this ranking.  First thing is first, not many shows have truly great episodes.  I mean you really enjoy a season and usually there's one or two episodes that you can pick out later when you make your "Best Episodes" list in your head.  But most of the time, you enjoy the show for its status quo.

Part of my rankings honestly were looking at the episode titles, reading about them if necessary, and then seeing how many episodes I instantly remember loving.  The whole episode comes into my mind and I want to go back and see that episode.  Mad Men hurt itself because I know a Mad Men episode that blows my mind and none in season seven really did it.  It probably set too high of a standard.  As for the Rectify, I have no problem in saying that there were more very good episodes in this six-episode season than most shows.  In fact, I had this ranked higher, but realized I couldn't simply make the argument that it was true for any of the shows above it.

Rectify is responsible for possibly my pick for the greatest scene of the year.  I would link it to you if I could find a link.  A drunk, depressed Teddy confesses to his nephew about something he did when he was younger.  Clayne Crawford is just spectacular in this scene.  It's one of those scenes where everytime I think of it, I just feel horrible at how often this likely happens.  Great piece of writing.  Great acting.

Model Episode - "Thrill Ride" (S3 E2)

This episode obviously contains the aforementioned scene I was talking about above.  As Brandon Nowalk of the AV Club says "This episode does for Teddy what Rectify does for Daniel."  We see things from his perspective and through other people.


#4 - Justified - FX (Season 6)

Full disclosure: Justified's last episode aired in early April so it's pretty hard for me to specifically remember some of this season.  If you're wondering why it's as high as #4, well I had the same problem with similar shows that ended so early in the year.  I'll have the same problem with some of the upcoming shows as well.  But I did read the episode descriptions for this season, and it brought me back the feelings I had for this season.

Remember that thing I said about how the ending was more important than I thought?  Justified's final season is a prime example of that.  Hearing the names Timothy Olyphant and Walton Goggins alone should probably be the end of my argument, but this season also featured Mary Steenburgen, Sam Elliot, and Garrett Dillahunt.  There's also the return of Kaityln Dever as Loretta from season two (the series' best season), the always reliable Patton Oswalt, the hilarious Jere Burns (this show is funnier than quite a few comedies actually), and Mykelti Williamson.  The only person missing from the Justified All-Stars is Margo Martindale.  And that was never going to happen.

Justified's sixth season is a season of master plotting.  Sometime in the middle of the season, the plot ramped up to where it seemed like anyone (except for Raylan or Boyd) could die and each successive episode somehow kept the tension as high as could be.  It was to the point where it was the eighth episode and hard to imagine how they could keep up the pace they were at - it really seemed like they'd need to either stall or have the last few episodes be quiet reflection with most of the characters dead or in jail.  And yet, they managed to believably keep the action and tension high into the finale.

Model Episode - "Fugitive Number One"(S6 E11)

Really, you could probably put any of the last few episodes of the season here and not be wrong.  This one stands out to me at least because of two death scenes that are brutal to watch.  For fear that not everyone reading has seen this series - and because I think everyone reading should watch this series - I'll not spoil the deaths, but both scenes just add to this sense of impending doom.  Both were also pretty heartbreaking to me, though none of the characters were "good" people.

#3 - Hannibal - NBC (Season 3)

Rectify made the top five based off its writing, for the most part.  Justified made the top five for its dialogue, pacing, and plotting.  Hannibal makes this list based off its directing mostly.  Put it this way: this director of this movie directed five episodes and the cinematographer of Pan's Labyrinth directed three episodes.  Directors come in and experiment with things to see how they can make use of a presumably small budget.  I think I read a quote from Bryan Fuller telling directors to make it like a pretentious art film.  (He was probably joking)  I can see how the directors followed that, but it's also underselling how good the show was.

Hannibal was perhaps worried about cancellation so the back end of the season dealt with the television show's interpretation of The Great Red Dragon.  Honestly, that's most of what I remember about the season.  Richard Armitage being effectively creepy and strangely sympathetic.  He gives a performance worthy of the character of Francis Dolarhyde.  The show also improves by giving a greater role to Gillian Anderson - always a good move - and making Alana Bloom a much more active and more interesting character.

Hannibal is essentially talented directors with free reign with the writing of Bryan Fuller brought to life by fantastic acting from the regulars to the supporting players.  Hugh Dancy, Laurence Fishburne and Mads Mikkelson - which is the definitive Hannibal Lecter performance for me anyway - all are as reliable as they've always been. Then good luck picking the best supporting actor of this group: Rutina Wesley as Francis' blind love interest, Nina Ariande as Will's wife, Katherine Isabelle as Margot Verger, or any of the actors I've mentioned above.  Seriously, all of them are making me run out of adjectives to describe them.

Model Episode - "Digestivo" (S3 E7)

I'm going to choose the bridge between the two halves of the season.  The first is focused on Will finding Hannibal and the second on the Red Dragon.  Both are good, but here is where we get exposed to an episode of Mason Verger (I didn't give Joe Anderson enough credit for Verger, but I sadly prefer season two's Michael Pitt).  At the end of the episode, the show reframes Hannibal's capture by law by having him give up to spite Will instead of actually being caught.  It fits in perfectly with the show.

#2 - Fargo - FX (Season 2)

I find Fargo and Justified pretty similar in terms of why and how they're good.  They both have unusually excellent plotting that lets the tension stay high.  Both shows make it seem like characters would have to die before the finale, manage to prolong it to the end of the season, and not make it seem like they stalled or faltered along the way.  Both have excellent dialogue that allows it to go slower than you might otherwise expect.  And both have quite the cast to boast with some of the best performances coming from the people you wouldn't expect.

If season one of Fargo was the Billy Bob Thornton showcase, season two is the Bokeem Woodbine showcase.  And the Kirsten Dunst showcase.  And though he wasn't in the whole season, the Nick Offerman showcase.  (Seriously, he was amazing in his drunken state trying to convince Bear Gerhardt to back away from the police station.  There's also Patrick Wilson, Jean Smart, Jesse Plemons, Ted Danson, and the list goes on.  Zahn McClarnon as Hanzee turned out to be a much better character than he initially seemed.

Model Episode "The Castle"

Here's another show where I don't really think you can necessarily go wrong with any answer.  This is the episode where everything turns to shit.  Basically, this is the episode where Hanzee turns on the Gerhardt family, the police are ambushed at motel, Ed and Peggy end the episode running away ("It's just a flyer saucer, Ed. We got to go."), and Betsy falls ill at home.  Again, I don't necessarily know if this is the best episode, but this is definitely the episode where the most seems to happen and that's as good of a choice as any really.  Nearly any episode would apply.

#1 - The Americans - FX (Season 3)

Come on, did you really expect any different - at least for those who follow me on Twitter?  This had to be the choice.  Fargo was a strong contender for #1, but ultimately I was pretty sure that it was mostly due to the fact that it was the series I JUST saw.  I'm a little worried it's too high still.  But The Americans third season was perhaps their best season to date.  (Season two's ending kind of breaks down the more you think about it and season one wasn't as great as either at keeping the story momentum.)

Due to both the viewership and the fact that - outside of people who I've met through the internet - nobody I know has ever watched this show (that I'm aware of at least), I'm not going to go into too much detail about what makes this season great.  The two protagonists, Phillip and Elizabeth, face a dilemma put upon by the Soviet government.  (If you aren't aware of the premise, Phillip and Elizabeth are married undercover Soviet spies living in America who speak perfect English)  One of the characters has no intention of following through on their orders while the other encourages it. Basically, this show excels at identifying perhaps the most important element of marriage - trust - and then making both skillful liars and spies, obviously making trust extremely difficult.

This season also really hammers down the toll that killing and lying and the things required of an undercover spy would have on a normal person.  We FEEL what the characters are feeling.  The show has built up two seasons worth of sympathy to the point where we root for them over the Americans.  This season features a dead body being put inside a suitcase, the most painful and intimate tooth extraction you'll ever see, and many deaths.  Oh and this season also features the dad needing to seduce a girl his daughter's age and it's actually worse than it sounds when you know why specifically he struggles with this.

Model Episode - "Stingers" - (S3 E10)

Wow it's going to be impossible to say why this is the episode without spoiling.  For people who've seen the show though, it's the episode where the primary conflict of the whole season - the conflict that it appeared would last at least to the final episode - is revealed in this episode.  The writing in this episode exceeds even the usual Americans episode as the characters behave as realistic as I can imagine in a situation nobody has surely ever experienced.

Honorable Mentions

Shows once in my top ten
The Leftovers - I would have felt dishonest if it were in my top ten.  I just don't really connect with this show as most seem to do.  I don't want to levy this criticism towards it, but I can't think of a better word: it's just a little too pretentious for me.  I don't think this is true of everyone in the sense that I don't necessarily think other people will find it pretentious.  I just find frequently watching the show that I'm not buying the events are as important as they show is trying to convey.

Looking - I really did want to include this in my top ten, but then I watched Sense8 and then I watched Making a Murderer and it just became impossible to include it on my list.  I don't think I'll get many complaints about this one though.

The Knick - I wasn't really planning on putting it on the list, but then the ending of the second season was about as good a conclusion as you can hope for to any series.  So then it made it's way on, only to again be knocked off by my recent watches.  Anyway, if I had to pick a reason why this isn't on the list, it's probably that I don't find the writing that great.  This show is being considered almost solely due to the director, the setting and the acting.  Sometimes the writing is great, specifically the season two finale, but most of the time it's only average.

The Rest
I enjoyed the third season of Banshee and it had a few of the best action sequences of the year.  I really liked the first season of Better Call Saul, but if I'm being honest it was never seriously considered.  I can't really say why either.  It's just one of those things when I was making the list and highlighting certain shows, and this pretty much immediately was highlighted as an honorable mention show.  The same is said for Game of Thrones fifth season.  I've always thought of this as a good (with occasionally amazing episodes), not great show.  Nothing changed in the fifth season.  iZombie, despite its awful name, is a Rob Thomas show and he's got a pretty good track record.  This is a much better show than you think it is.  Jessica Jones was brought down by mostly one episode, an episode with narrative shortcuts and contrivances.  In fact, I think it's probably the worst episode of any of the shows mentioned on this post. (Edit: I forgot to mention Mr. Robot as another show that is on honorable mention.)

That is my list.  Tell me what you think.

Rectify Review

Rectify is a show about a man who was sentenced to death row and is miraculously released from prison after 19 years.  This is a very good show, but I really don't think it's for everyone.  It can be perceived as really slow, although I've never been bored watching it.

He's released from prison so naturally we wonder if he's guilty.  But it really doesn't matter if he's guilty or not for you to enjoy the show.  He's been locked up, and separated from human civilization - separated from windows or even going outdoors.  This show is about him trying to adjust to a new surrounding and enjoy life.

If I tried to explain what the show's high points were, there's no way you'd watch the show.  Somehow, minor things such as the character finding old 90s music and just dancing away to it make you feel all giddy inside.  It's really hard to explain, but those moments are as satisfying as any explosive gunfight in another show.

The reason this show works is the acting of the lead, Aden Young.  He finds that hard line between being compelling and creepy.  He somehow does this and makes the audience think he's just misunderstood while also making us acknowledge why the town perceives him the way that they do.

Another standout performance is by Abigail Spencer, who I had never heard of before this show.  Now, I want to watch everything she's in.  She's the reason Daniel is out of prison - she fought hard for years, presumably thinking he didn't do it.

And the show makes it ambiguous whether he did it - he was released due to new DNA evidence, but he also confessed to the crime which may have been due to coercing by the police.  Either way, I don't think it matters a lot.  Either he didn't do it or he did it and he's a changed man.

One thing I have come to love about the show is how it seems to defy what you would think would happen.  Since not much actually happens, I'm talking about the characterization that takes place.  The expected route to take is avoided and a few times I was delighted that the writers decided to not go the easy route.  These characters are complex human beings.  No person is good or bad.  This paragraph could, verbatim, be applied to Breaking Bad.  I'm not comparing the two, but that cannot be a bad thing for this show.

Overall, the show is a slow, methodical drama that takes its time in going through its storylines.  Each of the episodes vaguely represent a typical episode structure especially for any story involving Daniel.  There are more than a few scenes of just Aden Young enjoying various things in life that he doesn't enjoy in prison.

So I recommend this show to people who watch television for characters and not for people who watch shows for the action.  Standout performances and good writing help the show not seem as slow as it really is.  This show is probably my third favorite new show behind The Americans, which I really loved, and Orange is the New Black, which I also loved.  A second season has been ordered by Sundance so feel free to watch it and not worry about its cancellation.

Playlist
1. "Animals" - Martin Garrix
2. "Feel it All Around" - Washed Out
3. "Have You Ever Seen the Rain?" - Creedence Clearwater Revival
4. "Losing My Edge" - LCD Sound System
5.  "The Fountain" - Future Islands