Showing posts with label Xander Berkeley. Show all posts
Showing posts with label Xander Berkeley. Show all posts

Thursday, July 3, 2014

Rewind: The X-Files S1

It's sometimes easy to forget that television shows used to not have much in the way of serialization.  In the case that there was serialization, it was in the form of character development.  That is definitely the case here, although there are "mythology" episodes which don't necessarily scare away newer viewers anyway because those episodes rarely answer anything.  Thankfully, The X-Files was able to both use a formulaic structure while also making it necessary to start at the beginning.

To say I'm disappointed in The X-Files is not accurate, but it definitely didn't blow me away.  I suppose the reason is because I had relatively high expectations.  I really wasn't expecting two things that probably harmed my enjoyment 1) I knew this was basically a procedural, but I didn't know just how much it was a procedural.  Most of the episodes follow the same structure and only a few tended to deviate from that structure. 2) Somewhat related to the former, but this season has quite a few forgettable episodes at best.  That's part of the issue with procedurals - it's easier to have a long-running ongoing story than to create 25 new stories.  So it's bound to have some clunkers.

I suppose it's just really hard to believe how far TV has come in the past 20 years.  At first glance, 1993 does not seem like that long ago.  But on my list of Shows that Changed Television (coined and created by Alan Sepinwall I must add), none of them were created before 1997.  The only show that preceded this show that I absolutely need to see - if only because it's so annoying how much I read about its influence on shows I have seen - is Twin Peaks.  My point is that context is everything.  The X-Files came before it became common for good shows to have serialization.

With all that said, it's extremely unfair to call this a procedural show.  It's clearly beneficial to watch from the beginning and watch it in order.  The only difference from serialized shows is that you can probably make contact with an expert of The X-Files and ask them which episodes to skip without losing anything.  Based off this first season, I'd say there's about 10 solidly skippable episodes.  That's not to say they were bad - I really only had trouble finishing one of the episodes, and the rest, while kind of forgettable, are really enjoyable. 

The best thing about this show is clearly the relationship between Dana Scully and Fox Mulder (great names by the way).  Their burgeoning connection throughout the season as Scully grows more appreciative and less skeptical of Mulder IS the reason to watch it in order.  And so far at least, Scully consistently questioning Mulder when she's usually wrong has somehow not made her seem like an idiot.  It's a pretty tough line and the show has managed to both make her still stick to her values and make a good partner.

What's really great though about that aspect is that the relationship clearly follows a distinct, natural pattern to where by the end of the season, you see how they got to that point.  It all perfectly culminates into the last episode where Scully apologizes to Mulder for being wrong (which I don't believe she had done yet) and sneaks illegally into a government building in order to save Mulder.  If I were forming the episodes that needed to be watched, I'd pay close attention to any episodes where the dynamics of their relationship changed, and not just the obvious like the final episode and Tooms.

On that same note, Mulder's obsession with the extraterrestrial and government cover-ups has a nice arc.  People call him "Spooky" Mulder - which honestly is kind of a terrible nickname since nothing about David Duchovny is spooky.  The natural developments occur - eventually Mulder ends up embarrassing himself in "Tooms" when he tries to sell Eugene Tooms as a 100-year-old man in front of a jury.  And while I'm sure it's not the last time he tries to sell an unbelievable story to someone who won't understand, it kind of ends in "Roland" when he tries to tell the special needs caregiver that Roland was psychically overtaken, and Scully cuts him off before he can get it out.  She's looking out for him to make sure he doesn't make a fool of himself - even if Mulder seemingly has no capacity for being embarrassed or fooled. 

Duchovny is good as Mulder - I remember having a bit of an issue with him for the first few episodes, but by the end, I'd forgotten all about those issues.  And Gillian Anderson is incredible as Scully - it's a little hard to believe that the network objected to Anderson on accounts of her attractiveness (especially now).  And Jerry Hardin is solid as recurring character Deep Throat.  Anyways, I don't think I've ever written about a show with so few principal actors.  So notable guest stars that stuck out to me would have to be the always creepy Doug Hutchison as Tooms, Xander Berkley in "Ice," Harriet Sansom Harris as Eve 6 and the always fantastic Zeljko Ivanek in "Roland" singlehandedly making that episode better than it had any right to be.

Speaking of the acting, one of the things that has not aged well is that sometimes the acting is painful.  Not by any of the above, but a small, one-off character is sometimes played by someone who cannot act.  That is one of the issues with having so many episodes rely on consistently having completely new characters.  (That's one of the impressive things about the original Law & Order to me: very rarely is there bad acting.  Perhaps because they unashamedly re-use actors)  An actor needs to make an impression for you to remember them because they will soon be gone.  In the case of Ivanek, impression made.  In the case of most others, it's probably better if they didn't make an impression.  It's not a big deal, but it's a little frustrating to have the quality of an episode dictated by whoever the new actor is.

And while I'm probably overstating the badness, I look at an episode like "Ice" and I think it's more of a matter of just being unconvincing than bad.  In "Ice," I don't think that episode works near as well if the actors aren't Xander Berkley, Felicity Huffman, Steve Hytner, and Jeff Kober.  While "Fire" isn't a bad episode, it probably works a lot better if Mulder's former love interest is more convincing as an actress. (That and if Mulder's fear of fire didn't seem so random)

I'm not going to create a list of the essential and inessential X-Files, but I will mention some memorable episodes for one reason or the other.  The pilot of course is a great introduction to the series instantly setting the tone for what to expect.  My favorite episode of the season was probably "Ice", where Scully and Mulder are stuck in Alaska with a creature that spreads paranoia and violence.  Somewhat similar to that episode, "Darkness Falls" is another episode where they are stranded trying to find a way to escape that worked nearly as well.  "Beyond the Sea" is great both for Brad Dourif and for making Scully the one who believes the impossible while Mulder is the skeptic.  "Tooms" is actually a sequel to "Squeeze," but is much better than the first and "Roland" is worth watching if only for Ivanek's peformance.  Lastly, the finale works better not knowing that the second season will probably return everything back to the status quo.  It's daring, it's shocking, and it's a perfect capper to a season-worth of development between Scully and Mulder.

Episodes I would recommend wholeheartedly skipping would have to be "Ghost in the Machine," which is a computer hysteria episode that worked better when computers could do anything; "Space," improbably the most expensive episode of the season that is wholly uninteresting with bad graphics; and "Young at Heart."  The rest aren't bad, although it's surprising just how many episodes are carbon copies of previous episodes with a few details changed.

Then there are the mythology episodes, which work effectively enough.  They've mostly made more questions than answers.  That's fine with me as the questions are usually more interesting than the answers.  And from what I've read, the show ends up digging itself a hole ala Lost.  I don't have a problem with that as the journey is what matters.

I find myself in the strange position of both understanding The X-Files love and kind of understanding how the show sort of went under the radar when discussing best shows of all time.  I think this is one of those cases where having originally watched it when it first aired - I was less than one-year-old - would have made me realize its impact more.  As it stands, it's an impressive character study with some very good episodes and some serious potential for me to look towards the next few seasons.

Season Grade - B+

Thursday, December 26, 2013

24: S1 Review

My preconception about 24 was that it was ridiculous, unrealistic, and thrilling.  I was pleased to be wrong on just one of those preconceptions.  Well, sure it's not completely realistic, but for the most part, it's easy to accept.  In a show such as this, the standard is simply "Can you accept what's happening in the context of the show?"  For the first season at least, that's a clear yes.

The first season managed to completely satisfy me, but also increase concerns about watching future seasons.  It has that air of "Sure it worked this time, but how long can they keep this up?"  It also had a bit of repetitiveness that I'm afraid will return.  (Namely, Kim getting in trouble again I'm sure is a given).  However, that's for future seasons, this post is about the first one.

24 is ridiculously addicting.  I held off on watching this show during the school year for fear that it would interfere with my studies.  That seems to be a correct assumption.  I'm going to make sure I have no serious obligations when I start a season.  And thank god that after each season I can simply stop without being compelled to start the new season.  (I did have an immediate need to start it, but after that initial resistance, I haven't felt the urge to start watching again.)

Kiefer Sutherland, whose movie career had essentially died, experienced a career renaissance thanks to 24.  He certainly played a part in that renaissance as he does a pretty good job with this role.  He brings a sense of urgency to the role that matches the script.  He has a way of saying something completely ridiculous, but you believe what he is saying is the truth.  While we do experience the ridiculous things he says to other characters, it's not hard to buy why all these characters are following him or believing him despite the fact that they don't witness those events.

Similarly, Dennis Haybert plays a convincing president as his demeanor frequently changes from charming to furious to demanding.  His attitude seems a little too unrealistic for a politician as he strives to always do the right thing, but it's always fun to see an idealized president since we're never going to get that in real life. (I'm a cynic what can I say?)

The writers are able to obtain an abnormally long string of realistic, tense episodes.  I'll admit though that I cringed when Kim was captured the second time.  I understand the plot need for it, but that was a bridge too far for me to accept.  Also, Teri Bauer's amnesia was a stupid plot device.  Amnesia is perhaps the laziest storytelling technique there is.  Those are quite literally my only complaints (plot-wise), which is pretty impressive for this type of show.

Before I started, I heard some negative comments about Kim - or at least I'm aware that Kim is not exactly well-liked.  Elisha Cuthbert plays her so this was kind of alarming to me.  Anyway, she did a few stupid things this season, but nothing I can't forgive for just being a teenager.  So far, she's still useful as a character.  I also think Cuthbert does a good job so I'm preparing for the writers to ruin this character in future seasons.

I wasn't a huge fan of the twist at the end with Nina being the mole.  It was somewhat predictable at a certain point late in the season when she tried to pin it on George Mason.  With that said, I stopped paying attention on whether Nina was a mole or not really early on.  My impression is that her actions were inconsistent with a mole most of the season, but I couldn't confirm.  Meanwhile, Mason's would have been inconsistent (which I was paying attention to) so I was grateful he wasn't the mole which is probably why I wasn't bothered by the twist as much as I may have been.  Plus, her being a mole did allow Teri Bauer to get killed, which kind of had to happen.  You can't have nobody important die if you want to keep the tension.  (Although Richard Walsh's death in episode two surprised the hell out of me.)

The script doesn't allow for a lot of personal stories outside of Jack Bauer so I'll have to give credit to two actors that impressed me.  Xander Berkeley as George Mason, a crazy experienced actor with 207 credits on IMDB, was fantastic.  He just hits all the right notes as a good boss whose constant brushing off of Teri pleased me.  (On the flip side, it wasn't a good sign that she was as annoying as she was with perfectly valid concerns while at CTU.  I'm not sure if that's the writing or the actress, but honestly I'm sort of glad I don't have to experience that anymore.)

The other actor was Carlos Bernard as Tony Almeida.  He just has that perfect "Are you kidding me?" reaction to everything going on that was needed on this show.  Also, he gets shit done and seems the most sensible of almost any character.

I know 24 eventually declines in quality like most other shows so I want to see if it's a product of writers leaving or losing influence.  I'll do this by chronicling who writes most of the episodes in this season.  This season, the two creators have a lot of influence and thus that can safely explain the success of the show.

Joel Surnow and Robert Cochran, the creators, wrote the pilot and then separated writing responsibilities until the finale.  Surnow moved on to writing eight other episodes with Michael Loceff, including the finale, which was a collaboration between four different writers.  Cochran wrote two episodes by himself and then teamed with Howard Gordon for four other episodes, including the finale.  So the creators collectively were responsible for writing 14 of the 24 episodes.  The remaining 10 episodes are given to six writers.  There's only one episode given to any of them within the first five episodes and none were given to any of them in the last six episodes.  Most of them barely make enough of an appearance in future seasons if at all to draw any conclusion.

There are two exceptions.  Chip Johannessen wrote a single episode this season and then wrote a good chunk of Season 8 episodes.  The other is Virgil Williams, who wrote three episodes over the next two seasons and then left the show.  Overall though, this was basically the creators' show at this point, and their respective writing partners.  Any sense of decline could not be seen from any of the other writers and only by less writing by the creators.

On the directors side of the coin, Stephen Hopkins was clearly the favorite among the creators.  He directed 12 episodes including both the pilot and the finale.  Six other directors worked on this season, all of them receiving two episodes back-to-back.  I wonder if Stephen Hopkins is a mainstay across seasons (and the other directors I suppose).  It certainly explains the consistent direction (and one could argue anyway that future directors probably watched the show and could copy the direction so it's less important)  Hopkins though appears to be the reason 24 was shot in the unique style it was.

Overall, it's kind of hard to believe that this show was made in 2001.  It still stands up really well in 2013.  I realize that wasn't a long time ago, but this comes before The Wire, Breaking Bad, and only comes after The Sopranos among the greatest shows of all time.  While it's a completely different show, it's still very original even in 2013.  I can't speak to how future seasons will look, but season one justifies the existence of the seven seasons to follow by itself in my opinion.

Playlist
1. Savagely Attack - CZARFACE ft. Ghostface Killah
2. Domo 23 - Tyler, the Creator
3. The Mother We Share - CHVRCHES
4. Strictly Reserved for You - Charles Bradley
5. The Way - Fastball